|[尺寸]||口径：20.5cm 足径：16.5cm 高：60cm 总重量:共约19.2kg|
The pastel porcelain is distinguished and elegant, and the glaze is beautiful and colorful. It shows the unparalleled artistic charm. The rare degree must be respected by the world. Its most academic value and artistic value lies in its appearance. The physical data of porcelain proves the record of the Qianlong Chaoyang color burning system, and restores a glorious history of almost forgotten. Its appearance has opened a new trend in the history of Chinese ceramics, witnessing the historical grand occasion of Chinese and Western cultural exchanges. With the incomparable confidence and supreme taste of the emperor.
The lantern bottle, as its name suggests, is named after the shape of a lantern. The lantern bottle was created by Jingdezhen Guanyao in the Qianlong period, and it was popular in the Qing Emperor Yongzheng and Qianlong period. The production of lantern bottles in the Qianlong period was more. Culture This is one of the best for the pastel flowers and birds Songhe Yannian Lantern Bottle. The shape is special, the abdomen is big, the mouth is small, the height is high, the bottom is thin, and the sole of the foot has the "Da Qing Emperor Qianlong System" blue and white book. There are gold edges along the mouth, and the shoulders and feet are painted with chords. The outer wall is full of painted flowers and birds, vivid and elegant, delicate and smooth. Among them are pine cranes, peacocks, dragonflies, peony, lotus and other patterns. The colors are dark and varied, elegant and complex, and the crafts are complicated. The phoenix expresses the way of the monarch and the minister, meaning “the princes and the courtiers, the ministers and the loyalists”; the crane is the longevity and the father-son relationship The symbol, "Huainanzi" said "Heshou Chitose, to travel extremely", Songhe Yannian, health and longevity; yuan yang on behalf of the couple, is well known; peony meaning rich, happy and happy. This painting was created by the predecessors' profound understanding of the habits of these five birds. The flowers and birds in the picture are beautiful in appearance and different in posture. Together with trees, stones, flowers and water, the pictures are more natural and vivid. This way of teaching and learning in art will undoubtedly make the traditional ethical education more three-dimensional and diversified. This group of bottles is extremely difficult to burn. The color of the porcelain produced is rich and colorful, the texture is thick and quiet, and the carcass is light and beautiful, so it is deeply loved by the Emperor Qianlong. This bottle is not only elegant, but also magnificent, and the paintings and colors are outstanding. It represents the highest level of craftsmanship of royal porcelain bottles in the Qianlong period.
In the five thousand years of China, ceramics is a part of Chinese history. It reflects the unprecedented skill level and aesthetic ability of the ancient Chinese people. It also reflects the current social status and economic prosperity. Chinese ceramics participate in and influence the transformation of modern art. The pastel porcelain is distinguished and elegant, and the glaze is beautiful and colorful. It shows the unparalleled artistic charm. The rare degree must be respected by the world. Its most academic value and artistic value lies in its appearance. The physical data of porcelain proves the record of the Qianlong Chaoyang color burning system, and restores a glorious history of almost forgotten. Its appearance has opened a new trend in the history of Chinese ceramics, witnessing the historical grand occasion of Chinese and Western cultural exchanges. With the incomparable self-confidence and supreme taste of the emperor, the pastel porcelain of this period is worth cherishing.